Some levels, such as the opening fishery, loop back to the same phonograph as they are gradually explored and unlocked by the player.
The player may save at any time, but only at one of the game’s sparsely placed phonographs. Instead of quicksaving, Gloomwood features a save point mechanic not dissimilar to in Dark Souls or Bloodborne.
Arguably, the option to quicksave may even necessitate save-scumming in some cases - I challenge the average player to beat the last few levels of System Shock 2 on Impossible without it. I frequently resorted to save-scumming in Thief and Dishonored to complete levels without being noticed. On the other hand, it facilitates save-scumming and breaks immersion. I would be able to reload the scenario above, for example, as many times as I’d like to test each of my options. On one hand, it enables the player to experiment without fear of losing too much progress or making an irrevocably silly decision. With the exception of Deathloop, which employed a roguelike structure of multiple runs through the same levels, every major immersive sim has relied on a quicksave system that allows the player to save their progress at almost any time. Indeed, Gloomwood explicitly advertises itself as Thief with guns (try “ ” in the URL bar).ĭespite this branding, Gloomwood smuggles in a quiet subversion of immersive sims that is closer in ambition to Arkane Studios’ Deathloop than its Looking Glass ancestors. I look around for a vent or a way to get into the rafters, but I finish chopped and shot to pieces before I realize there aren’t any.Įven in the current early access build, with only around four hours of content available and the steampunk city featured in last year’s demo left tantalizingly on the horizon, Gloomwood is packed with encounters like this - short scenarios that prioritize stealth but offer the player a set of emergent gameplay options in the best immersive sim traditions. All well and good, except that I can hear them heading my way. I scurry into a dark room and try to wait it out until the guards stop their investigation and resume their regular patrol routes. The explosion scatters blood and body parts and alerts everyone in the vicinity to my location. I could pull a glass bottle from my briefcase-shaped grid-based inventory and throw it as a distraction, but that would probably distract both guards rather than just the one I need. Popping the chamber on my shotgun shows that it’s out of bullets, and my revolver doesn’t deal sufficient damage or reload quickly enough to stop a crowd. However, that will require an engagement with the axeman, and the commotion might draw more guards. The charge time on my trusty cane sword is slow, but it’s a guaranteed one-hit kill once the blade glints to indicate the charge is ready. The rifleman is more dangerous, so I need to get rid of him first.
One wields an axe – a high-damage weapon, but with a slow and predictable rhythm that’s easy to dodge. Two guards stand near an explosive barrel, their backs to me.
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